Club Moral Stocklist

Club Moral Stocklist 059 - Tragala Perro!

Club Moral Stocklist — Mon, 06 Oct 2008 20:31:43 GMT

DDV - Tragala Perro! (C-90 cassette) A-01 - FM01/p008 - The Fascist SexMurderThought A-02 - FM02/p029 - He Who Has no Head A-03 - FM03/p059 - Ready for War A-04 - FM04/p071 - My Victims A-05 - FM05/p098 - Ready for War A-06 - FM06/p141 - Yes B-01 - FM07/p159 - He Who Has no Head B-02 - FM08/p222 - Privémilicia-DDV B-03 - FM09/p246 - Stockholm Syndrome B-04 - FM12/p400 - Carruga B-05 - FM13/p444 - I, Captain Hook'n'Cross This tape is a compilation of DDV's contributions to various issues of Force Mental, Club Moral's magazine that was edited from 1982 until 1988. In all 15 issues of Force Mental were printed, some spare copies are still available from our WebShop Tal Para Qual. Tragala Perro! is the title of an etching by Goya. "He who lives amongst men will be irremediably vexed. If he wants to avoid it he will have to go and live in the mountains, but when he is there he will discover that to live alone is vexations." "Existen varios manuscritos contemporaneos que explican las láminas de los Caprichos. El que se encuentra en el Museo del Prado se tiene como autógrafo de Goya, pero parece más bien despistar y buscar un significado moralizante que encubra significados más arriesgados para el autor. Otros dos, el que perteneció a Ayala y el que se encuentra en la Biblioteca Nacional, realzan la parte más escabrosa de las láminas. * Explicación de esta estampa del manuscrito del Museo del Prado: El que viva entre hombres será geringado irremediablemente: si quiere evitarlo habrá de irse a habitar a los montes y cuando esté allí conocerá también que esto de vivir solo es una geringa. * Manuscrito de Ayala: Intentan unos frailes curar a un pobre Marcos, colgándole al cuello una reliquia y echándole lavativas por fuerza. * Manuscrito de la Biblioteca Nacional: No le echan mala lavativa a cierto Juan lanas unos frailes que galantean a su mujer y le ponen un taleguillo al cuello a manera de reliquia para que se cure y calle. La mujer se ve detrás cubierta con un velo y un monstruo de enorme cornamenta preside la función autorizandolo todo nuestro Padre Prior." From Force Mental 13 (1986): Ik, Kapitein Hakenkruis = I, Captain Hook'n'Cross. 86 tekens op een verdomde lijn, de toekomst hoort ons toe, want nu bepaal IK, KAPITEIN HAKENKRUIS, hier hoe goed of hoe slecht U iets begrijpt, U zwijgt en slikt wat IK, KAPITEIN HAKENKRUIS, U in de muil stop. 86 marks on one damned line, the future belongs to us, for now on I, CAPTAIN HOOK'N'CROSS, will command here what You will understand or not understand, either well or not so well. You will shut up and swallow what I, CAPTAIN HOOK'N'CROSS put You in the muzzle. And if You thought, als u zonodig al eens denkt dat U nog opmerkingen moet uitbraken of tegenstrubbelingen uit de pudding laten rollen, want pudding dat zijn slechts Uw gezichten, en beeldt U eens in een kwak pudding (chocolade) op een paar vette witte lillende billen van een persoon met 4 meter bekkenomtrek, en druk daar Uw gezicht maar eens in, haal nu diep adem en geniet van Uw gezicht zoals IK, KAPITEIN HAKENKRUIS, er van geniet als Gij in Mijn Aanschijns staat. So if you ever thought You should vomit remarks or let difficulties roll out of the pudding, because pudding that are Your faces, and imagine You in a blob of pudding (chocolate) on a pair of fat white lilling buttocks of a person with 13 feet of pelvis-outline, and press Your face in that and breathe deep and enjoy Your face like I, CAPTAIN HOOK'N'CROSS, enjoy it. I, CAPTAIN HOOK'N'CROSS, stand before Your Appearance. What then would You expect but despise, did You really believe I, CAPTAIN HOOK'N'CROSS, can stand just one of You, just one?, maybe one, one I, CAPTAIN HOOK'N'CROSS, never met and never will meet. The best I, CAPTAIN HOOK'N'CROSS, get along with people I, CAPTAIN HOOK'N'CROSS, never met, sometimes through mail slight tolerance might appear, but undoubtedly shrinking as Your body becomes a repulsing spot on my retina. Wat had U dan anders verwacht als minachting, dacht U echt dat IK, KAPITEIN HAKENKRUIS, er een, maar dan ook een van jullie kon rieken of zien?, misschien een, een die IK, KAPITEIN HAKENKRUIS, nog nooit zag en nooit zal zien, IK, KAPITEIN HAKENKRUIS, ga het best om met mensen die IK, KAPITEIN HAKENKRUIS, nog nooit zag en nooit zal zien. IK, KAPITEIN HAKENKRUIS, ga het best om met mensen die IK, KAPITEIN HAKENKRUIS, nooit zie, soms kan via de post een lichte tolerantie ontstaan maar onmiddellijk verschroeiend als Uw lijf een afstotend plekje wordt op mijn netvlies. En begin nu niet als idioten met allerhande uitgekiende dingetjes op te sturen, IK, KAPITEIN HAKENKRUIS, walg er gewoon van, de rotzooi die sommigen onder U opsturen en verwachten dat IK, KAPITEIN HAKENKRUIS, ervan achterover val omdat er nog maar eens een rottend geslachtsdeel in voorkomt, de SOUND ATLAS OF VENEREOLOGY is 4 jaar oud juffrouwen! And please don't start to send me all kinds of well worked out little things, I, CAPTAIN HOOK'N'CROSS, just loathe it, the terrible shit that some of You send and think I, CAPTAIN HOOK'N'CROSS, will step back of it because it contains another rotting prick, the SOUND ATLAS OF VENEREOLOGY is 4 years old young ladies! In Belgium anything is better anyway, didn't You know we even have a complete female choir calling themselves CLITORIA?, I, CAPTAIN HOOK'N'CROSS, wonder when they're going to play at the V A G I N A. Sinds de BRT spots vertoont om het suikerverbruik te bevorderen stijgt ook de criminaliteit, want ze weten nu stilaan al dat al die consumptie van suikers leidt tot gedragsstoornissen en criminaliteit, PETER CARLIER had ze nochtans gewaarschuwd "van suiker krijgt men geestelijke ziekten". And You, Anglo-Saxons, did you think I, CAPTAIN HOOK'N'CROSS, was going to translate every tiny bit of this little story? Don't You ever think I, CAPTAIN HOOK'N'CROSS, care just one little bit about You all, I, CAPTAIN HOOK'N'CROSS, can't even think about so much little victims there overseas, my FascistSexMurderThought would be crowded night & day. What did You expect here anyway, something You like? You like this, admit it, You're all perverts, everybody is a pervert, no need to hide it, you've got a mind, use it, pervert it, enjoy it, live! En de Nederlandstaligen, lezen jullie ook niet liever opwindende, goed klinkende verhaaltjes in het Engels? De taal waarin FUCK zo mooi klinkt dat de poversten onder jullie het amper van de tong kunnen houden. Het interesseert mij geen zier om jullie net precies exactly hetzelfde mee te delen als de idioten aan de andere kant van de zee. Waarom zijn trouwens alle landen geen eilanden. Antwerpen zou dan tenminste gespaard blijven van de jolige, boerende, lallende, roze, blinkende, dikke Hollanders die hier elke zaterdagavond interessant komen doen door luid te brullen, nooit te verstaan wat er hun gezegd wordt, alle mogelijke soorten relikwieën uit muren en straten te sleuren, en bovenal in hun grote melkkoppen nog denken dat ze het tofste volk van Europa zijn. Tussen Nederland en België zou een oceaan moeten liggen in plaats van een snelweg. Still trying to find a little bit in English to read, You silly kids? Laat ze nog maar wat voortzoeken, dan houden ze zich tenminste niet bezig met ongelukken te doen, zoals het toesturen van playlists hun domme University-Radio's waar EMILOU HARRIS een plaats boven EINSTURZENDE NEUBAUTEN staat, als ze nu al eens op dezelfde plaats zouden staan, en NEUBAUTEN de moker op het ribbenorgel van HARRIS zou laten neerkomen, de lyrics van EMILOU zouden dan meteen recht uit het hart komen, en EINSTURZENDE zouden niet langer met zware metalen platen hoeven rond te zeulen, zolang de benen van HARRIS gespaard worden natuurlijk. Allright, I, CAPTAIN HOOK'N'CROSS, was discussing the natural taste of Your playlists of all Your Highschool FM-radio's, but before we start, don't worry, we once were on an Amsterdam radio of which the studio was the size of a toilet, and where you had to leave the door open in order not to get gassed by the breath of all the people who enjoyed making a program during the hours before You, in our case we were 4 in the toilet and the radio was in the air for maybe 10 hours already that day. But anyway, why do you put KATE BUSH on the same chart as DESTRUCT COMPILATION? Did you ever think of putting them together and have BUSH DESTRUCTED on the air? No because all the good stuff has to come from Europe of course, and here we are back with the Master again, to which You have been obeying for let's see 6768 characters. Be grateful. En U Nederlandstaligen, bent U bevredigd na 6849 tekens? Neen?, ga dan terug naar start. DDV was born in 1959.

Club Moral Stocklist 058 - In Vitro II

Club Moral Stocklist — Sat, 20 Sep 2008 12:50:00 GMT

Various Artists - In Vitro II (C-90 cassette) A-01 - Vitro 1 A-02 - Experiment Incest A-03 - Vitro 2 A-04 - Lakoste A-05 - Vitro 3 A-06 - Vidna Obmana B-01 - Vitro 4 B-02 - Hypnobeat B-03 - Vitro 5 B-04 - Coup de Grace B-05 - Vitro 6 The second In Vitro exhibition was held from 2 July 1986 till 30 August 1986. Just as in the first version (see Club Moral Stocklist 046) there was a 2-month exhibition of independent products, cassettes, magazines, books, records, multiples, etc. For this occasion we also had 8 huge photo's by Hugo Roelandt on show, which coincided with the Antwerp Photography Summer that was organised at various art galleries and institutions at the time. The exhibition .S.T.TI K., actually more conceived as an installation, shows us photo's, but photo's as object-minded, actual, sober investigating, rational images of reality. Intelligence has taken the place of inspiration, knowledge has taken the place of the mysterious, scarcely to be situated, notion talent. That's where the format comes from: by the use of a supernatural size the loyalty to nature is abjured. The image: the human figure, situated in a contemporary sphere (commercials), constructed with contemporary means (photography) and placed in a contemporary form (enormous poster). The thundering, not neglectable presentation of the nudes may be a first touchstone to which each of you can measure his own dynamics. (Mark A. Verreckt, 1976, in "Theory/Information/Practise") In Vitro - The Opening Night Wednesday july 2nd, 1986; a memorable day for all involved with independent whatever it be, records, tapes, magazines, books, videos, films,... That day opened the second and final In Vitro. A first edition had been held in summer 1984, this was a replay, being far more complete with the latest available products, and set up in a logical way, with early independent U.S. newspapers and art-magazines. For 2 months again, every infant and demented could loose control in this astonishing amount of strange information. Some 60 people packed the space on this wednesday-night, some travelled far to witness this event, some missed the boat... The opening-night was supplemented with films from Hugo Roelandt, who also furnished the twice-life-size nudes of 4 men & women. The photos -by the way- have been made in 1976 and have never been exhibited in the meantime. A truly memorable event that day from 8 till late, grind your teeth because you missed it. In Vitro - The In Vivo concerts As in the 1984 version, also this In Vitro was completed with a series of concerts, this time we decided to do them all on the same day, allowing you all to come over for just one day, whereas the previous edition had all the concerts on different days. And again 6 bands were contacted, in fact much more were, but some enquiries stranded for different reasons. We were somewhat proud to present Experiment Incest, a new Belgian band going through their brother/sister repertoire with banging metal and hurling vocals, Lakoste, or an automatic tennis-ball-release-machine that howls Burroughs-texts and discipline amongst sweat-shirted audiences, Vidna Obmana, a snobbish Fata Morgana, Hypnobeat, the sound of 100 hypnotic rhythms and a neurotic operator, Blood ov Christ, who couldn't leave Sweden for some mysterious crimes committed in his darker period (and thus did not play), and finally as guest of honour, Coup De Grace mystic child-torturer, parent-murderer and social threat. The tape is recorded by binaural recording equipment so that you will be able to act as if you were there when using headphones and a blindfold whilst hearing it. (excerpts from reports in Force Mental 14) In Vitro II contributions included: ADN Tapes - A.K. - Angst - Apocalypso A'GoGo - Aquilfer - Architects' Office - AR/TE - Art Communication Edition - Art Pool - Art Rite - Bain Total - Bande Blanche - Vittore Baroni - Beyond the Pale - Maurizio Bianchi - Bla Bla - Black Dwarf - Guy Bleus - Bomb the Daynursery - Broken Flag - Camera Obscura - Caootax - Cassette Gazzette - Central Tapes - Cthulhu Records - Clair Obscur - Club Moral - Come Organisation - Commonpress - Constrictor Magazines - Controlled Bleeding - Corpus Mucus - Contact List of Electronic Music - Coup de Grace - Datenverarbeitung - Der Neger - Die Katastrophe - Discipline - Etant Donnés - Etat Brut - Europa - Exposed to Control - Façade - Fase 2 - La Fondation - The Feverish - Force Mental - Function Disorder - Fuse - Gerechtigkeitsliga - Graf Haufen - Grok - Happy Taxpayers - Idola Tribus - Impulse - Industrial Records - Interchange - Intermedia - Intervention - Intolerance - Iphar - Kankerkommando - Augusto Klamm - Korm Plastics - Laibach - Lard - Limite - Lymph Products - Mam-Aufnahme - Mauthausen Orchestra - Merzbow - N.D. - Nekrophile Records - Nick - O Magazine - Open System Project - The Other Sound - Pacific 231 - Dirk Paesmans - Paralellogramme - Particular Motors - Peal Off - ProduKtion - Pure - R&D Group - Re/Search - Recloose Organisation - Res Publika - Guy Schraenen - Search & Destroy - Sevenhorns - Shvantz! - Simpletones - Situation ML - Skeletal Work - Societe Anonomie - Sound Choice - Staalplaat - Strike - Das Synthetisches Mischgewebe - Smegma - Le Syndicat - Throbbing Gristle - Time Based Arts - Toll - Tox Movement - Trench Music Kore - U-Bahn - Unsound - Vile - Vita Nova - Voluptiare Cogitum - V2 - Wet - Whitehouse - Zeal SS - 3 Phallus - 6de Kolonne - .... At the same time as the In Vitro II exhibition, the Archive for Small Press & Communication of Anne & Guy Schraenen organised an exhibition of Text-Sound-Image Archive Pieces. The Archive collection now resides in the Neues Museum Weserberg Bremen, Germany and Fundação de Serralves in Porto, Portugal.

Club Moral Stocklist 057 - EB001

Club Moral Stocklist — Thu, 11 Sep 2008 10:32:44 GMT

Etat Brut - EB001 (C-60 cassette) A-01 - Instant 1 A-02 - Dérapages A-03 - Spasmes à Koekelberg A-04 - Lundi Matin A-05 - Que Faut-il Vous Dire? A-06 - Ivrogne A-07 - Saturation A-08 - Usine A-09 - Media-Impression A-10 - Tunnel B-01 - Home B-02 - Raid B-03 - WWII B-04 - Nuit et Brouillard B-05 - Instant 2 B-06 - Game B-07 - Zone Sinistrée EB001 is the first cassette by Etat Brut, released in 1980. It was re-released by Club Moral after the disbandment of Etat Brut. The first concerts of Etat Brut also had Super8 films, they were official products, but have never been released. Quite a lot of the shooting of these was done on the infamous viaduct of Koekelberg, a long narrow overpass that carried the Etat Brut members from their home to their job every day. Infamous because of it's traffic jams, dangerous driving and ugliness into the centre of Brussels. It was built in 1958 as a temporary solution, but remained in action until the 1980's, injecting about 30.000 cars a day into the city. The viaduct is now replaced by a tunnel. In the late 1990's the Belgian Government donated the viaduct to Thailand, where it is now known as the "Belgian Bridge" on Rama IV Road in Bangkok. With the release of EB001 came also Etat Brut's "Message aux Larves": 1) Qu'attendre de la paix? Un sommeil confortable pour vos tristes carcasses? 2) Face à la niaiserie, affecter l'écœurement. 3) Face à vos consciences, dresser nos tortures. 4) Face au bonheur l'énifiant, opposer le gout du sang, du métal et de la guerre. 5) Face a face!

Club Moral Stocklist 056 - Acier (aka Steel)

Club Moral Stocklist — Sun, 10 Aug 2008 09:16:31 GMT

Etat Brut - Acier (C-60 cassette) A-01 - LD A-02 - Arbeit A-03 - Acier Victorieux A-04 - Fevrier 83 A-05 - Toxic Habit* B-01 - Musique pour Chambre a Gaz B-02 - Synapse B-03 - Totalitarism* Acier (aka Steel) is the last release by the Belgian Noise pioneer band Etat Brut (tracks marked * are by 2Tracks aka Jerry WX). It was released by Etat Brut as "Acier" and by AEON in the U.S. as "Steel". Acier is the brutal testament of this uncompromising duo of two Brussels based science teachers heavily influenced by the writings of J.G. Ballard. The present whereabouts of Etat Brut are unknown. 2Tracks/Jerry WX (Jean-Pierre Poirier) died in 2000.

Club Moral Stocklist 055 - 19 Keys / 19 Bands

Club Moral Stocklist — Mon, 21 Jul 2008 22:04:19 GMT

Various Artists - 19 Enochian Keys / 19 International Bands (2 x C-60 cassette) The First Side of Cassette One: The First Key - DDV (B) The Second Key - Coup De Grace (USA) The Third Key - ProduKtion (AUS) The Fourth Key - Vittore Baroni (IT) The Fifth Key - Sevenhorns dA-Ho! (UK) The Sixth Key - The Brides of Christ (UK) The Second Side of Cassette One: The Seventh Key - Bogaert-Roelandt-Verlinden (B) The Eighth Key - FâLX çêrêbRi (D) The Ninth Key - 6de Kolonne (NL) The Tenth Key - Pacific 231 (F) The First Side of Cassette Two: The Eleventh Key - Autopsia (YU) The Twelfth Key - Augusto Klamm (B) The Thirteenth Key - Kurt Volentine (AUS) The Fourteenth Key - Gerechtigkeitsliga (D) The Fifteenth Key - Mauthausen Orchestra (IT) The Second Side of Cassette Two: The Sixteenth Key - Lard (USA) The Seventeenth Key - Ydde Nesnaj (B) The Eighteenth Key - AR/TE (B) The Nineteenth Key - AMVK (B) This set of two cassettes was released in 1986. 19 international bands contributed one "Key" each to form this compilation. Every track was recorded exclusively for this project, and remember that all of the music here was made with real instruments, analog synthesizers and - effects without computers, digital recording, editing and mastering whatsoever. Our works concerning the 19 Enochian Keys have generated from 19 visual works and a film by AMVK, initially based on the opposition of the 19 Keys versus the films of Alfred Hitchcock, in particular the "39 Steps". The live calling of the 19 Keys featured as a soundtrack when the film was shown on various occasions. A cassette resulted from the first showing at ProduKtion-HAIR in London in June 1983, and in the meantime the film is also made available on video. Throughout our work and the response of our audiences towards the 19 Keys, we have formed the idea of presenting an ultimate version, based on world-wide approaches. We have asked 19 international bands, whose soundwork we appreciate at most, to call out one Key each, adding to it appropriate sounds in order to obtain the most powerful force each Key possesses. After over a year of intense creation and delicate recording, we are now then proud to offer you the ultimate 19 Enochian Keys.... (from the inner cover of Cassette One) The windows to the fourth dimension are thrown open - and to the frightened, the Gates of Hell. Apocryphal as they have become (and who can tell what grim reality provokes the "fantasy"), the Enochian Keys are the Satanic paeans of faith. Dispensing with such once-pragmatic whitewashing in terms such as "holy" and "angelic", and arbitrarily chosen groups of numbers, the purpose of which were only to act as substitutes for "blasphemous" words. The magical language used in Satanic rituals is Enochian, a language thought to be older that Sanskrit with a sound grammatical and syntactical basis. The meaning of the words, combined with the quality of the words, unite to create a pattern of sound which can cause tremendous reaction in the atmosphere. The barbaric tonal qualities of this language give it a truly magical effect which cannot be described. We would like to dedicate this work to Anton Szandor LaVey, from whose "Satanic Bible" (Avon Books 1969) the TRUE Enochian Keys are recited. (from the inner cover of Cassette Two) Some information on the bands: DDV is still alive. Coup De Grace played at the In Vitro II event, did a tour with Club Moral as backing band throughout Belgium, Holland and Germany and continues to play and record as Blood Axis. He collaborated with Boyd Rice and lives and works with Annabel Lee. ProduKtion made several films, organised an Australian tour for Club Moral in 1987 and then disappeared out of sight (Paul, where are you?). Vittore Baroni continues to work as a mail artist. Sevenhorns dA Ho! recorded a couple of rare cassettes, played at the In Vitro I series and disappeared out of sight. The Brides of Christ released a number of cassettes on their own label and disappeared out of sight. (Jo) Bogaert became quite successful with his other band Technotronic, Hugo Roelandt made some installations and works as a teacher. FâLX çêrêbRi aka Graf Haufen had a successful distribution company of music and video and is still around in Berlin. 6de Kolonne seem to continue to work and archive their work until today. Pacific 231 continues his music works, now from Ireland. Autopsia published a lot of artwork and several cassettes and disappeared out of sight. Augusto Klamm is probably out there somewhere. Kurt Volentine made some of the greatest cut-up-collage tapes and videos in the pre-digital era and has disappeared out of sight. Gerechtigkeitsliga are still out there in London. Mauthausen Orchestra is still out there somewhere. Lard have published several cassettes and continue te record. Ydde Nesnay is totally out of sight. AR/TE supposedly lives in Berlin. AMVK continues to work. Anton LaVey passed away on 29 October 1997. A restored version of original artworks by AMVK on the 19 Enochian Keys will be featured in an exhibition at Kunstmuseum Luzern as of 15 August 2008. The Kunstmuseum is organising a large retrospective of AMVK's drawings and films in co-operation with Wiels in Brussels. The movie "39 Steps vs. 19 Keys" will also be shown in the museum. At the opening night in Luzern there will be a dj-set by none other than Carl Cryplant. External links: DDV Coup De Grace Blood Axis Vittore Baroni Graf Haufen 6de Kolonne Pacific 231 Autopsia Gerechtigkeitsliga Mauthausen Orchestra LARD AMVK AMVK @ Kunstmuseum Luzern Carl Cryplant AMVK @ Wiels Brussels

Club Moral Stocklist 054e - 25 Lives in Club Moral

Club Moral Stocklist — Mon, 14 Jul 2008 12:21:37 GMT

Club Moral Stocklist 054d - 25 Lives in Club Moral

Club Moral Stocklist — Sat, 12 Jul 2008 09:42:11 GMT

Club Moral Stocklist 054c - 25 Lives in Club Moral

Club Moral Stocklist — Mon, 07 Jul 2008 11:44:51 GMT

Various Artists - 25 Lives in Club Moral (5 x C-60 cassette) 25 Lives is an unreleased set of five C-60 cassettes documenting live concerts in Club Moral from 1981 until 1985. The five tapes will be posted as five different episodes, if you have iTunes set to update podcasts automatically, make sure it gets all five episodes and not just the latest. The first two episodes are online now, the others will be posted one by one in the next couple of days. Tape 3 A-01 - Waving/DDV A-02 - ProduKtion A-03 - DDV B-01 - Situation ML B-02 - 19 Keys B-03 - Dirk Paesmans Waving Ondulata and DDV played a one-time 5min collaboration on the opening of the "Van Drang tot Dwang" exhibition on 16 sep 1983. ProduKtion made a special soundtrack for their film show on 16 sep 1983. DDV played on 02 nov 1983 on the opening of his "Privémilicia" exhibition. He also played on the last day of the exhibition but nobody showed up. Situation ML played on the opening of their exhibition "Fraktion Mortel" on 28 mar 1984. 19 Keys was recorded on the opening night of AMVK's "Hersens met Horens" exhibition on 9 may 1984. Dirk Paesmans played at an event organised in CCB, Berchem on 13 oct 1984. Other events organised at the time were an exhibition "Van Drang tot Dwang" with Claude, Etat Brut, La Drôlesse, AR/TE, Angst, Waving Ondulata, Werner Pans, AMVK and DDV in jun/jul 1982, an exhibition "Privémilicia" by DDV on 2 nov 1983, an installation "Vom Ende der Eiszeit und wie man Feuer macht" by Joke Brouwer on 30 nov 1983, an installation "Die Welt als Vorstellung" by Mark Schepers on 18 jan 1984, an exhibition "Hout Droogt het Best in de Regen" by Marilou Van Lierop on 18 apr 1984, an exhibition "Hersens met Horens" by AMVK on 9 may 1984, the "European G.A. Cavellini Festival" on 19 may 1984 and the first "In Vitro" exhibition (see earlier episode of this podcast and a documentary movie on our YouTube page) in july/august 1984. The above list only includes events organised at Club Moral, not Club Moral performances at other venues, nor projects organised by Club Moral on other locations. The "als u niet naar ons komt, komen wij naar u" (If you don't come to us, we will come to you) intro and interlude between the different recordings was the trailer for a radio program we used to have with Guy Schraenen on Radio Centraal around 1985.

Club Moral Stocklist 054b - 25 Lives in Club Moral

Club Moral Stocklist — Thu, 03 Jul 2008 07:43:52 GMT

Various Artists - 25 Lives in Club Moral (5 x C-60 cassette) 25 Lives is an unreleased set of five C-60 cassettes documenting live concerts in Club Moral from 1981 until 1985. The five tapes will be posted as five different episodes, if you have iTunes set to update podcasts automatically, make sure it gets all five episodes and not just the latest. The first two episodes are online now, the others will be posted one by one in the next couple of days. Tape 2 A-01 - 2Tracks A-02 - V-Side A-03 - AR/TE B-01 - V-Side B-02 - M.Bryo B-03 - Bourbonese Qualk 2Tracks played on 22 sep 1982. It was supposed to be a support act for the Frankfurt (D) band Velvet und der Ground but they never showed up. V-Side opened the "Overwinningsfeesten" on 14 nov 1982 featuring Dirk Paesmans and a live goose. AR/TE also played at the "Overwinningsfeesten" on 15 nov 1982, the entire concert is included in his first cassette "Macht/Onmacht", an earlier episode of this podcast. A complete recording of the V-Side Koen Theys performance on 21 nov 1982 is included in "2 Live Performance", an earlier episode of this podcast. M.Bryo played at the opening of Ria Pacquée's installation "Ik Heb een Dief Bemerkt in de Kamer van Mijn Vader" on 17 dec 1982. Bourbonese Qualk played at the Tom Tom Club. Other events organised at the time were an installation "Project met Werknummer 8" by Lud Vandevelde on 17 sep 2001, an exhibition "Over Haat & Liefde" by Tin Jacobs on 15 oct 1982, a whole week of installations and performances during the "Overwinningsfeesten" by V-Side on 14 nov 1982. The above list only includes events organised at Club Moral, not Club Moral performances at other venues, nor projects organised by Club Moral on other locations. The "als u niet naar ons komt, komen wij naar u" (If you don't come to us, we will come to you) intro and interlude between the different recordings was the trailer for a radio program we used to have with Guy Schraenen on Radio Centraal around 1985.

Club Moral Stocklist 054a - 25 Lives in Club Moral

Club Moral Stocklist — Sun, 29 Jun 2008 17:14:04 GMT

Various Artists - 25 Lives in Club Moral (5 x C-60 cassette) 25 Lives is an unreleased set of five C-60 cassettes documenting live concerts in Club Moral from 1981 until 1985. The five tapes will be posted as five different episodes, if you have iTunes set to update podcasts automatically, make sure it gets all five episodes and not just the latest. The first episode is online now, the others will be posted one by one in the next couple of days. Tape 1 A-01 - Etat Brut A-02 - Simon & Chief A-03 - Billy Coconut and the Palmbeaches B-01 - minus Delta t B-02 - Kwajongens in Bloei The "Visite Clinique" concert of Etat Brut and Mécanique Végétale was the first event ever organised in Club Moral on 19 jun 1981. Etat Brut played one of their rare (and long) concerts Simon & Chief played on the opening night of an exhibition "Fur den Fortschritt der Mensheit" by V2-artists Alex Adriaansens and Joke Brouwer on 11 dec 1981. Billy Coconut and the Palmbeaches played on the opening night of an exhibition "Schicksal" by V2-artists Bart Domburg and Roeland Rutten on 19 dec 1981. - δ t gave a press conference about their "Bangkok" project on 6 feb 1982. The complete recording + the recording of a minus Delta t and DDV concert have been in an earlier episode of this podcast. Kwajongens in Bloei played on 8 may 1982. KiB features Angst, of whom several tapes have been in earlier episodes of this podcast. Other events organised at the time were an installation and performance "Une Idée Vient Puis, Est Détruite" by Claude (Yande) from Gent on 2 oct 1981, a lecture "Witte Lichten" by Louis Wuytack from Antwerpen on 1 nov 1981 and a performance and "Gesammt Musik" by Harrie De Kroon and Kees Mol from Breda (NL) on 4 dec 1981, a theatre play "Kasper (x6) en Juanita" by Guy Cassiers premiered on 22 jan 1982 The above list only includes events organised at Club Moral, not Club Moral performances at other venues, nor projects organised by Club Moral on other locations. The "als u niet naar ons komt, komen wij naar u" (If you don't come to us, we will come to you) intro and interlude between the different recordings was the trailer for a radio program we used to have with Guy Schraenen on Radio Centraal around 1985.

Club Moral Stocklist 053 - 13 HitSodomy

Club Moral Stocklist — Thu, 05 Jun 2008 14:02:13 GMT

Carl Cryplant - 13 HitSodomy (C-60 cassette) A-01 - 19th Nervous Breakdown A-02 - I'll Be Your Mirror A-03 - Lucifer Sam A-04 - I'm Eighteen A-05 - The Man Who Sold the World A-06 - Buick Mackane A-07 - Search and Destroy B-01 - Holidays in the Sun B-02 - Ghost Rider B-03 - Gut Feeling B-04 - Dish it Out B-05 - Something Came Over Me B-06 - Mindphaser 13 HitSodomy is the first exploit of Carl Cryplant. It was distributed in 1985 by Club Moral with zero information apart from the title tracks and the names of the composers. All tracks are sodomised versions of music popular with many young people at the time and in the tradition of the numerous "13 Original Hits" compilations that came out in the 1970s and 1980s. No digital manipulation or computers were involved in the making and recording of this music. These tracks are all made with the use of a turntable, two synthesizers and a microphone, all recorded straight onto a Maxell Metaxial MX 60 cassette, no remastering, no bullshitting. 19th Nervous Breakdown by Jagger, Richard & Cryplant is wrecked up and mangled like a nervous breakdown should really sound like. I'll Be Your Mirror by Reed & Cryplant is mirrored and reverbed. Lucifer Sam by Barrett & Cryplant is hashed and mashed in a druggy fashion. I'm Eighteen by Bruce, Cooper, Dunaway, Smith, Buxton & Cryplant sounds like a musical fart of any youngster in their parent's face. The Man Who Sold the World by Bowie & Cryplant has a synthesized bum collecting money outside the supermarket. Buick Mackane by Bolan & Cryplant is like a monster coming slowly. Search and Destroy by Pop, Williamson & Cryplant has some pretty destruction going on at the buttons of the synths and the mixer. Holidays in the Sun by Cook, Jones, Rotten, Vicious & Cryplant have an army marching over it. Ghost Rider by Rev, Vega & Cryplant is pretty feedbacked in the exhaust system. Gut Feeling by Mothersbaugh, Mothersbaugh and Cryplant has Carl puking out the contents of his stomach. Dish it Out by Chance & Cryplant is dished out with frenzied filter attacks. Something Came Over Me by Carter, Christopherson, P-Orridge, Tutti & Cryplant has an ocean overwhelming it. Mindphaser by Reuter, Bennett, McKay & Cryplant is the first and unequivocal danceable mix of any Whitehouse tune. Carl Cryplant has been living as a recluse in a small shack next to the railway track in the small village of Mirwart in the Belgian Ardennes ever since. Until early 2006 when he suddenly popped up with some new tunes posted on various music websites like MySpace, Get Your Bootleg On, SoundClick, Multiply, Breakbeat Paradise and various DJ and mash-up forums. In all 7 new sodomised hits were recorded, now with additional digital resources next to his trustworthy analog synthesizers. The Beat Goes On by Sonny, Cher & Cryplant features a stunning and steaming guest vocal by Sally Cryplant. Breathe by Skint, Howlett, Maxim & Cryplant is the ultimate breathing lesson from post-war Germany to Jonestown. I Think I'm Paranoid by Garbage & Cryplant is Carl imagining he's Salvador Dali for what it's worth, and that's a lot! Billion Dollar Babies by Bruce, Buxton, Dunaway, Smith & Cryplant is turned into a very fast and sick moneymaking game featuring Ed Kemper playing around with erased heads. I Wanna Be Sedated by Ramone & Cryplant turns punk into a war carnival. You Don't Own Me by Gore & Cryplant is the sound of Carl beaten up by all the people who want to own him, or maybe the by ones whose tunes he disowned. Praise You by Slim & Cryplant brings on Mahatma Gandhi and a full posse of Hare Krishna singers. The Jean Genie by Bowie & Cryplant is an ode to Jean Genet and to theft. You won't find these goodies in this podcast, but you can use your google skills to find them because they're out there! Apart from his own music production, Carl Cryplant is also a talented DJ known to brighten up many a party with his noteworthy knowledge of obscure loony tunes and weird covers by fellow musicians. All of his DJ-sets are available through his podcast page at Carl Cryplant Podcast Members of this Club Moral Stocklist mailing have been curiously also noticed of new episodes of Carl Cryplant's podcast episodes, sometimes source of great anger and resulting in hatemail in poor Carl's inbox. Well, you got all those because Carl Cryplant is an alias of DDV. And if you want to enjoy one of Carl Cryplant's live DJ-sets you should all move your booty asses to the special launch night of FRONTforyou #10 on 20 june 2008 at Netwerk, Houtkaai in Aalst. FRONTforyou

Club Moral Stocklist 052 - Now I Am Death

Club Moral Stocklist — Sun, 25 May 2008 20:09:08 GMT

DDV - Now I Am Death (Super8 movie / E-30 vhs video) "Now I Am Death" is a Super8 movie by DDV. Originally titled "Now I Am Death, the Destroyer of the World", it was originally made for an exhibition "Young Artists from Antwerpen in Gent" in 1983. The exhibition was spread over three venues: the Campo Santo cemetary in Sint-Amandsberg, Museum Dhondt-Dhaenens in Deurle and De Gele Zaal in Gent. While the people were walking around on the opening of the exhibition on the Campo Santo cemetary, I was digging a grave underneath a tree. When it was finished I lay down and the grave was covered with earth and finished with chains and a cross by Ross Cannon of ProduKtion. I stayed buried for about 45 minutes until everybody had to leave to go to the second part of the exhibition by a special bus. While everybody was on the other location, I transported the grave to the third and final location of the exhibition. There the grave was reconstructed, me laying upside down in it, with a chain attached to my feet. As the people came in, main lights were turned off and the film and a slide-series were started. Then I was pulled out by my feet out of the grave by use of a pulley by Paul Hurst of ProduKtion. My body was hanging in front of the projectors, images projected onto human body. In a microphone I repeated the words ""Now I Am Death, the Destroyer of the World". The sound went into a synthesizer, treated by Paul Hurst, distorting the words in loud hellish sound-bursts. (description of performance by DDV) This film is a special re-arranged shoot for home-video made by Club Moral and V2 in 1985. Camera by AMVK & Alex Adriaansens. Sound by Club Moral. Jonge Kunstenaars uit Antwerpse Sisser In elk geval een sisser was het eerste deel van de performance door Danny Devos ""Nu ben ik de dood - de vernietiger van de wereld". Terwijl burgemeester Monsaert nog een speech aan het aflezen was bleek de artiest de spade al ter hand te hebben genomen. Langzaam druppelde een deel van de receptiegangers uit de Campo Santo kapel. Onder een poëtische boom groef Devos intussen rustig met een gloednieuw legerschopje een kuil op mensenmaat. Daarna nam hij fruitsappauze. Intussen kwamen om de hoek uit een straat een reeks muziekkorpsen met vrolijke ritmes. Met de performance had die stoet geen uitstaans maar ze bracht leven en kleur voor de omstaanders. De inzittenden van de auto's die voor de stoet moesten wachten keken bevreemd naar het gebeuren en zorgden daarmee voor verdere afleiding. Tussen de gepaste intervallen legde tijdens het gebeuren de artiest een stuk stof over de kuil, legde zich erin - herschikte het doek - vouwde de armen boven het hoofd, werd ingepakt, en voorzichtig met aarde toegedekt. De symboliek werd nog verzwaard door wild erop gesmeten kettingen. Waarna de fotografen en andere mensen verder wachtten. Veel later moesten de toekijkers-tot-het-bittere-einde de omgeving verlaten. De verrijzenis daar was geen publieke aangelegenheid. Zelfkwelling Na twee derde van het beste uit wat de jonge Antwerpse artiesten aan performances te bieden hebben leek het besluit te zullen uitdraaien op: op stervan na. En toen kwam er een onverwacht hoogtepunt, geen probleem overigens na wat de avond tot dan al aan aktiviteit had opgeleverd. Daarmee vergeleken was de tweede schijf Danny Devos subliem. Na reeds passief aanwezig te zijn geweest onder zijn lijkwade, met de romp van een beeldje op zijn borst meebewegend met zijn adem, na verdere toespraken ook, werd hij opgetakeld aan zijn voeten. Film en dia's met beelden die steeds herhaald werden, deden de muren meeleven. Intussen een fanatieke Devos, heen en weer zwaaiend aan de ketting, een kruisbeeld kapot slaand, zich afzettend tegen de wand, kleren uittrekkend en vooral, door de mikro, zijn boodschap uitdragend, door een synthesizer haast onverstaanbaar verhakkeld, tegen een achtergrond van fluit- en drilgeluiden. (uittreksels uit artikel van BdB in De Gentenaar, 19 september 1983) "Now I Am Death" became a classic on Club Moral's repertoire and was performed live on several occasions, each time with DDV hanging upside down doing the vocals. The slides used in the original performance (and barely visible on the movie) included works by AMVK. Ross Cannon died in his native Tasmania in 1992 (November 16, 1957 - May 11, 1992), the whereabouts of Paul Hurst are still unknown. The newspaper article writer BdB is most probably Bart De Baere, in the meantime director of Reformuhka.

Club Moral Stocklist 051 - 19 Keys vs 39 Steps

Club Moral Stocklist — Mon, 12 May 2008 09:51:26 GMT

AMVK - 19 Keys vs 39 Steps (Super8 movie / E-30 vhs video) "19 Keys" by Club Moral has been a major project and an all time 'classic' in the repertoire since 1983. It is originally a Super8 film by AMVK "19 Enochian Keys vs 39 Steps of A. Hitchcock". "Confrontation of the devilish mechanisms of film-making with the 19 Satanic Rituals to evoke the Devil’s help. The structure of the movie was built on 19 stills of Alfred Hitchcock’s film 'The 39 Steps'. The movie was mostly accompanied by a live music mix of Arnold Schoenberg’s 'Erklärte Nacht' and DDV chanting the Enochian version of the ritual texts to be performed during the original rituals, found in the notorious book of Anton Szandor Lavey, 'The Satanic Bible'. The story is about 3 friends , a fight and a murder." (AMVK, film synopsis) Acting in the film are AMVK, DDV, Dirk Paesmans and Koen Theys (V-Side). Most of the scenes were filmed in the V-Side's house in Gent, where the actors had to improvise with whatever was available to act out the stills that were shown to us. "On the one hand: The 19 Enochian Keys are the 19 ways to evoke the Devil's help and this is in Enochian, the most brutal, forceful and oldest language on earth. On the other hand: The film 'The 39 Steps' of A. Hitchcock is a weapon, a snaketongue, a story of treason and halfbaken reservation. The reason why we must identify with the protagonist is that he is possessed of no dark secret. Hitchcock is a magician who works with willpower, fear of incarceration, awareness of the force of evil, using secret plots and arch villains, playing with moral fear and eliminating blondes under a constant threat of sexual violence." (AMVK, Force Mental 7, autumn 1983) The film was first presented on 20 june 1983 at ProduKtion-HAIR, the hairdressing salon of Paul Hurst and Ross Cannon, and also at the time the one and only place where one could buy Come Organisation products and Whitehouse tapes & records. For this occasion AMVK also made a series of prints and 4 paintings on plexi that were on show for a week. "In the very small space of ProduKtion-HAIR I hung 10 transparant plastic folios on rubber wires. The folios hang in a certain order, and represent the 19 Enochian Keys. These keys are each on one side of a folio presented by a combination of images of myself, buildings, people in hypnosis and trance. With the exhibition goes a film '39 Enochian Keys vs 39 Steps of A. Hitchcock', in which I make a comparison between the demonic manner of filmmaking of A. Hitchcock on one hand, and the 19 ways of evoking the devil on the other hand." (AMVK, Hersens met Horens, 1983) On this first occasion the film was shown twice, once with DDV chanting the Enochian Keys in Enochian and once in English, both times sitting handcuffed in the barber's chair and his head down in the sink. The film "19 Enochian Keys vs 39 Steps of A. Hitchcock" has always been shown with the according live soundtrack on several occasions since then. A cassette with live recordings of the soundtrack was published as a cassette earlier. It is also available on our stocklist as #031. At a later stage we also made a compilation "19 Keys/19 Bands" with 19 industrial bands performing one of the 19 Enochian Keys each.

Club Moral Stocklist 050 - De 4 Uitersten

Club Moral Stocklist — Sat, 10 May 2008 10:33:11 GMT

AMVK - De 4 Uitersten (16mm movie / E-10 vhs video) De 4 Uitersten (The 4 Extremities) is a 16mm movie by AMVK, based on 4 series of small paintings, and drawings. The paintings were all done on 10cm by 15cm plates of plexiglass, and used as stills in a rhythmic animation expressing each one of the 4 Extremities. Inbetween are rotoscopic animations of 4 dances by Marc Vanrunxt. The Faustian personage leading you into the movie is Guy Cassiers. The animation of a man ripping off his clothes is DDV. A film built according to the logic of the Spiritual Exercises of Ignatius of Loyola, founder of the Jezuit Order. Death, the Ordeal, Hell and Devine Glory are the four extremities of the Jezuits. Those are the phases one has to go through to attend a state of mercy wherein sin, Evil, can be restrained. I figured out my own extremities whereby I conclude, through banality and repetition, sacrifice and devotion, that Evil exists by the grace of Good, and vice versa. (Marc Ruyters in De Morgen, 16 mei 1984) De 4 Uitersten was shown at numerous occasions at art and film events, and for some time it was also projected as an introduction for Club Moral concerts. Marc Vanrunxt continues to work as a choreographer. Guy Cassiers is artistic director of Toneelhuis in Antwerpen. His play Atropa is premiering on 15 may 2008. Atropa is the third part of his Triptiek van de macht (Triptych of power), following on from Mephisto for ever and Wolfskers.

Club Moral Stocklist 049 - Birth(+)Fact(x)Death(-)Calendar

Club Moral Stocklist — Mon, 31 Dec 2007 09:32:04 GMT

DDV - Birth(+)Fact(x)Death(-)Calendar (A5 xerox calendar) A-01 - Privémilicia A-02 - untitled A-03 - untitled A-04 - untitled A-05 - untitled A-06 - Hij Die Geen Hoofd Heeft Zal Geen Kroon Dragen DDV's Birth(+)Fact(x)Death(-)Calendar is a daily listing of events in history until this day. It was first published in 1985. It involves no audio, but for your pleasure we include some tracks from a live performance by DDV at Club Moral on 2 november 1983, the opening night of his exhibition "Privémilicia". "So, you have joined in the victories of crime, disaster and death, this is the only way, you have bought the BIRTH(+)FACT(x)DEATH(-)CALENDAR. From now on you also can rejoice in private celebrations, add seductive dates to your worthless life so far. Now the time has come for you to enslave the great masters. Drink like an animal on SHAKESPEARE's birth-death-day, eat violently on the BOBBY SANDS memorial day, and praise the lord on RIPPER murder-days. You can now pinch your testicles as LARRY EYLER killed before you, rejoice in sodomy when SADE was born, rejoice in blood when KURTEN died, scratch your legs when young KENNEDY his was amputated, stroke with tenderness & love your breasts & nipples on the day JACK slaughtered CATHERINE EDDOWES. Drive into the country on your bike when LAWRENCE OF ARABIA crashed to hell on his and don't shit on the day LIVINGSTONE died. Sing in your shower when CARUSO sang in "L'elesir d'amour" and have your hands & feet manicured in memory of JOHN FARE. Eat fish for SCHWARZKOGLER and smoke a cigarette for DALI. In short, enjoy your life now it has become worthy to have your favourites to celebrate day by day." Every page of the first edition of the Birth(+)Fact(x)Death(-)Calendar listed 7 days and one picture. There was a reviewed copy of the Birth(+)Fact(x)Death(-)Calendar in 1987 and an update with new entries only in 1988. The 1989 edition of the Birth(+)Fact(x)Death(-)Calendar was an 'all-memorials' issue, listing only events that happened 5, 10, 25, 50, 100,.... years ago. The 1990 edition of the Birth(+)Fact(x)Death(-)Calendar listed only events about 90 killers and was subtitled "90 Killers for the 90s". The 1991 edition of the Birth(+)Fact(x)Death(-)Calendar listed only events about artists, musicians, writers and filmmakers. The 1992 -and last- edition was an index and listed all names and the days they appeared until then in the Birth(+)Fact(x)Death(-)Calendar. Today the Birth(+)Fact(x)Death(-)Calendar is a huge database file with 8817 entries about 5511 people; 2405 births, 1998 facts and 4414 deaths. The database has been used in 1998 by V2 to build an 'unreliable website' for their "DEAF" festival, subtitled "The Art of the Accident". The Birth(+)Fact(x)Death(-)Calendar has been available throughout 2007 as a daily blog on wheniwasbuyingyouadrinkwherewereyou.blogspot.com with additional photos taken by DDV in the past eight years. Between 1999 and 2007 DDV has taken over 25.000 pictures with various digital cameras. On this blog he posted one picture every day, taken on that specific day in a random year between 1999 and 2007, as well as a listing of all the events for that day. You can search the Birth(+)Fact(x)Death(-)Calendar blog for a certain day by using the "Blog Archive" on the right hand side of the page, or you can search for a name, a place or whatever by using the search box on the top left of the page and clicking "Blog Search". The Birth(+)Fact(x)Death(-)Calendar blog will not be updated and remains on the Blogspot system "as is". The title from the blog was taken from a song by the Mekons, "When I Was Buying You a Drink Where Were You ?" When I was waiting in a bar where were you ? When I was buying you a drink where were you ? When I was crying home in bed where were you ? When I watched you from a distance did you see me ? You were standing in a queue did you see me ? You had yellow hair did you see me ? I want to talk to you all night do you like me ? I want to find out about your life do you like me ? Could you ever be my wife do you love me ? Goodbye.

Club Moral Stocklist 048 - Corpulair

Club Moral Stocklist — Tue, 25 Dec 2007 22:57:03 GMT

AR/TE - Corpulair (C-60 cassette + A4 color drawing book) A-01 - untitled B-01 - untitled This set was recorded live on 13 october 1984 in the basement of the Cultural Center Berchem in Antwerpen. On the same night Club Moral performed "The Lips of Osiris Ani, Triumphant, are the Lips of Anpu", DA-Rock aka Dirk Paesmans performed "S.A.B.", and Jürgen Voordeckers performed "Music as a Geometrical Terror". "(8 jun) corpulair 1-1 (13 oct)" was performed by Trudo Engels and Els Huygelen. 13 oct, a unique combination of numbers to present 4 bands in a complete night of events. Introduction by Club Moral. Master, and God with the head of the jackal. Organiser of Propagandum at NL-Centrum and In Vitro in Antwerp. Security-video and evocation of great guitar heroes by Paesmans. Ex-V-Side and terror of the video libraries. 2 microphones / 2 figures at minimum. 1 hour of darkness, light, movement, excessive, tearing sounds. Performances by AR/TE are rare. 13 oct. The ideal opportunity. From the hinterland of Dadizele. Minimal aberration. Geometrical animals from Jürgen Voordeckers. Terror by slaughter in NL-Centrum and Montevideo. Music as Geometrical terror as end on 13 oct. Installation. 13 oct. 4 presentation of undisputed masters. 13 oct. Number of throbbing temples.